Yves Tanguy - Wikipedia
Raymond Georges Yves Tanguy (January 5, 1900 - January 15, 1955), known as just Yves Tanguy (/ ˌiːv tɒ̃ˈɡiː /; French: [iv tɑ̃ɡi]), was a French surrealist painter. Tanguy was the son of a retired navy captain, and was born January 5, 1900, [1] at the Ministry of Naval Affairs on Place de la Concorde in Paris, France. [2] .
Yves Tanguy - 23 artworks - painting - WikiArt.org
Raymond Georges Yves Tanguy (January 5, 1900 – January 15, 1955), known as Yves Tanguy, was a French surrealist painter. Tanguy, the son of a retired navy captain, was born at the Ministry of Naval Affairs on Place de la Concorde in Paris, France.
Yves Tanguy Paintings, Bio, Ideas | TheArtStory
Yves Tanguy was in many respects the quintessential Surrealist. A sociable eccentric who ate spiders as a party trick, and a close friend of Andre Breton, Tanguy was best-known for his misshapen rocks and molten surfaces that lent definition to the Surrealist aesthetic.
Yves Tanguy | Surrealist, Painter, Abstractionist | Britannica
2025年1月1日 · Yves Tanguy was a French-born American painter who worked in a Surrealist style. After sailing with the French merchant marine, in 1922 Tanguy returned to Paris, where he worked odd jobs and began sketching in cafés.
Yves Tanguy- The Surrealism of Tanguy’s Masterpieces
2024年7月10日 · Yves Tanguy was a pivotal figure in the Surrealist movement, known for his enigmatic and dreamlike landscapes that blend organic and abstract forms. Born in Paris, Tanguy’s exposure to the works of Giorgio de Chirico profoundly influenced his decision to become an artist.
Yves Tanguy - MoMA
French writer and leader of the Surrealist group in Paris. He was first active with Dada in Paris ca. 1920, then became the chief proponent of Surrealism. Generally a writer of poetry and novels that demonstrated the practice of 'automatic writing,' it was his …
Mama, Papa is Wounded! - Wikipedia
According to Nathalia Brodskaïa, Mama, Papa is Wounded! is one of Tanguy's most impressive paintings. Brodskaïa writes that the painting reflects his debt to Giorgio de Chirico – falling shadows and a classical torso – and conjures up a sense of doom: the horizon, the emptiness of the plain, the solitary plant, the smoke, the helplessness of the small figures.